'Nitrous' (produced with Rogét Chahayed)Ģ021 A$AP Rocky - $AP (Re-release) 'Drop Location' (produced with Jacques Greene) 'Can't Get Over You' (featuring Clams Casino) (produced with Thundercat and Rogét Chahayed) Ģ019 Jacques Greene - Dawn Chorus 'seedless' (produced with Serpentwithfeet)

'mourning song' (produced with Serpentwithfeet and Katie Gately)

'fragrant' (produced with Serpentwithfeet) 'Black Tux, White Collar' (produced with Tank God, Hector Delgado, Lord Flacko, and Kelvin Krash)

' 4 Gold Chains' (featuring Clams Casino).

Mac Miller - Watching Movies with the Sound Off Ģ014 Schoolboy Q – Oxymoron Ģ016 Elle Watson - Phantom 'Freeze' (featuring ASAP Rocky and Jim Jones)Ģ013 A$AP Rocky. 'The Fall' (produced with Illangelo)Ģ012 JJ DOOM - Key to the Kuffs Ī$AP Mob – Lords Never Worry It includes a list of songs produced and co-produced by year, artist, album and title.Ģ011 A$AP Rocky – Īdult Swim Music – Adult Swim Singles Program 2011 In its fuzzy way, Peep’s music was always tender, a hazy light of empathy glowing through the fog.The following list is a discography of production by Clams Casino, an American record producer. He wants four gold chains, but only to give “two to my brother.” “Fame bring pain but the pain make money,” he observes. In its place is the matter-of-factness that always distinguished Peep, a mixture of deadpan honesty and vulnerability that was impossible not to be moved by once you noticed it. It’s one of the slowest and most experimental-sounding things Peep has released, completely lacking the big hook that usually injected some swagger into his sway. Clams brings out one of his most alluring and atypical beats: just a few warm blots of guitar barely connected to isolated drumhits.

It is produced by Clams Casino, who is old enough now in internet-rap time that to someone as young as Peep, he might as well have been DJ Premier. In life, it would have simply marked another dimension to his still-developing sound. “Call me on my iPhone, I don’t pick it up much/I been losing friends, I don’t feel right,” he mutters. New music from the recently dead always arrives trailing unwelcome ghosts, and now what might have been just another hazy, downcast little jewel of a song from a promising artist has to be understood, at least partially, through death.

The song is one of the first full songs we’ve heard since Åhr, better known as Lil Peep, died of a fentanyl and Xanax overdose last November.

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